![]() ![]() The Occidental theatre has lost its magic to make a metaphysics out of gestures, lighting, movements, in the short, the whole mise en scene, proclaims Artuad. Even then, I found much of what Artuad says in this manifesto to be surprisingly accessible. I'm practically a phillistine when it comes to fine arts. He referred to this layout as being like a 'vortex' - a constantly shifting shape - 'to be trapped and powerless'. Artaud, especially, expressed disdain for Western theatre of the day, panning the ordered plot and scripted language his contemporaries typically employed to convey ideas, and he recorded his ideas in such works as Le Theatre de la cruaute and The Theatre and Its Double.Īrtaud believed that theatre should represent reality and, therefore, affect the audience as much as possible, therefore he used a mixture of strange and disturbing forms of lighting, sound, and other performance elements.Īrtaud wanted to put the audience in the middle of the 'spectacle' (his term for the play), so they would be 'engulfed and physically affected by it'. Together they hoped to create a forum for works that would radically change French theatre. When political differences resulted in him breaking from the Surrealists, he founded the Theatre Alfred Jarry with Roger Vitrac and Robert Aron. ![]() Antoine Marie Joseph Artaud, better known as Antonin Artaud, was a French playwright, poet, essayist, actor, and theatre director.Ĭonsidered among the most influential figures in the evolution of modern drama theory, Antonin Artaud associated himself with Surrealist writers, artists, and experimental theater groups in Paris during the 1920s. ![]()
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